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Frank Haines and his Award The Frank Haines Award, presented by the Historic Hawaii Foundation at the annual Preservation Honor Awards Ceremony, was established in 2009 and is named for master architect Frank Haines, FAIA who passed away on August 10, 2017. From 1948, Haines headed many prominent architectural projects, including the Prince Kūhiō Federal Building, Kaiser Moanalua Hospital, Kaiser's Honolulu Clinic, Bishop Square and the restoration of the Ali‘iōlani Hale. This award is presented to an individual who has demonstrated sustained and outstanding achievements in the area of preserving the significant historic and cultural places of Hawaii. Below is a list of all of the recipients of the Award since its inception in 2009.  We are deeply indebted to these visionary and hardworking individuals who have taken great strides to preserve Hawaii's historic places and inspire others to follow suit. 2009 Frank S. Haines, FAIA 2010 Billy Fields, in recognition of his lifetime dedication to restoring significant Native Hawaiian sites and teaching others his cultural practice. As a career stone mason, Fields concentrates on restoring sacred and traditional Native Hawaiian sites using traditional, dry-stack techniques used prior to western contact and the introduction of mortar. Using these traditional techniques, he furthers the traditional masonry practices in the repair, restoration and reconstruction of dry-laid stone walls, platforms and terraces on significant structures including Hapaiali‘i and Ke‘eku Heiau at Keauhou; Kūka‘ō‘ō Heiau in Mānoa; and walls, fish ponds and burial platforms across the state. Billy Fields (2010) 2011 William R. Chapman, D. Phil., in recognition of his work as Director, Historic Preservation Program, University of Hawai‘i at Mānoa. The Historic Preservation Program at UH Mānoa was founded in 1986 by William [...]

Ahupua`a Boundary Marker Dedication by Mahealani Cypher Ever since I was little, my tutu shared her stories with me, tales of our family aumakua, interesting events that occurred, paranormal and extraordinary encounters, important people in our family history. I captured those stories of family history in written form and shared them with all of my cousins. When I would take her for drives up the Windward Oahu coast, she could name all of the ahupua`a as we passed valley after valley - knew their names and families from these areas.  As an adult, I learned that many people did not have this knowledge passed on to them. When asked where they came from, the responses often were regional rather than specific locations. Along with others in our Hawaiian civic club, I initiated the ahupua`a boundary marker project to connect island residents with the old names of the ahupua`a in which they lived, and their kuleana to care for the cultural and natural resources of these places. We dedicated the first stone ahu, marking the boundary between Kane`ohe and Kailua, at Castle Junction some years ago - an event celebrated by both communities as a remarkable restoration of an important part of our island history and cultural practice brought to modern times. _________________________________________________________________________________ Mahealani Cypher is an active community volunteer, she also owns Native Knowledge LLC, offering consultation on native Hawaiian issues, historic preservation and Hawaiian perspectives on planning and conservation. Ms. Cypher has been involved as a community advocate on Windward O‘ahu issues for over 35 years, participating in numerous community and Hawaiian organizations since 1975. She currently serves as president of the O‘ahu Council of the Association of Hawaiian Civic Clubs, immediate past president [...]

Richard and Sooz Mirikitani own the historic “Carl and Florence Bayer House,” which is historically significant for its architectural style. It is an early and excellent example of the simple Craftsman style homes designed by Territorial architect Raymond Llewellen Morris of Lewers & Cooke.  The house incorporates the graceful characteristics of the simple Hawaiian style house popularized by Morris with its high-pitched roof, extended eaves and lanai, as well as design aspects of a French farmhouse.  The Mirikitani’s shared their perspectives on preservation with us. ______________________________ Historic Hawai‘i Foundation:  How long have you owned the Bayer Estate and why did you decide to make it your home? Richard’s family purchased the property from Mr. Walter Bayer (the only child of the home’s builders, Carl and Florence Bayer), who lived in the home until moving to the mainland after its sale in 1971. We eventually became the owners of the Bayer Estate, and were inspired soon after to breathe life back into this charming little seaside property.  When we first acquired the property, we were living in Kailua and commuted back and forth on the weekends between home and Aina Haina, to work on restoring and furnishing the home and enhancing its gardens.  While we were not originally searching for a historic property, we soon fell in love with the Bayer Estate and its “Old-Hawaii” ambience and charm, and ultimately decided to pull up stakes in Kailua, load all the dogs into the car, and make the Bayer Estate our home. HHF: The Bayer Estate is listed on the Hawai`i State Register of Historic Places.  What inspired you to nominate it for the Register? As its owners and new “guardians”, we developed a feeling of obligation [...]

Discover Waikiki’s architectural gems By Cheryl Chee Tsutsumi April 3, 2016, Honolulu Star Advertiser As a child growing up in India, Purnima McCutcheon was a dreamer whose imagination was fueled by old temples, mosques, forts and palaces. “I was born in Hyderabad but raised in Mumbai and traveled around the country a lot with my family,” she said. “Some of those buildings were centuries old, and I thought they were spectacular. I visualized being part of those historical scenes. Also, as a classical Indian dancer, I’ve always had a keen awareness of space and environment. Architecture has been the perfect career for me because I’m able to combine my interests in art, history and physics.” COURTESY ERIC MCCUTCHEON Purnima McCutcheon Today McCutcheon is a project architect with Group 70 International; a member of the American Institute of Architects, Honolulu Chapter’s board of directors; and co-chairwoman of the volunteer committee of architects and architectural historians that has organized a guided walking tour of Waikiki as part of the 10th annual Architecture Month observance in April. The two-hour tour will focus on eight sites. Docents will be at each site to explain their architectural significance. “Waikiki plays a key role in Hawaii’s history and economy,” McCutcheon said. “The tour will show how Waikiki’s architecture and infrastructure have contributed to its development as a world-renowned resort.” The “First Lady of Waikiki” — the Moana Surfrider, a Westin Resort & Spa — opened as the Moana Hotel on March 11, 1901, with 75 rooms in a six-story wooden structure that its architect, Oliver Traphagen, called “Colonial Style adapted for the tropics.” Well-heeled guests arrived at a porte-cochere marked by six Ionic columns and flanked by colonnades adorned [...]

ADAPTIVE REUSE EFFORTS AT THE NAVY INCLUDE VINTAGE TOUCHES Our field services staff recently visited an adaptive reuse project at Joint Base Pearl Harbor Hickam which demonstrated the Navy’s achievement in utilizing historic building for its current mission needs. Historically known as the Shell House, Building 434 in the Kuahua Naval Ammunition Depot historic management zone was built in 1921 to house ammunition before it was sent by rail to be loaded on ships. Kuahua stopped supplying ammunition in 1934 when the Lualualei Naval Ammunition Depot opened and most of the buildings were demolished. Those that remained—including Building 434—were converted to general storehouses. The adaptive reuse project placed a new use inside the historic exterior. It kept the original historic features, including structural steel trusses, terra cotta block walls and steel panel doors, while changing the non-historic interior to support the new functions. The design and construction team developed new construction techniques to reinforce the exterior walls so they could stand the weight of the new elements. One whimsical touch was the salvage and re-installation of the vintage signage used in a previous period. The hand-painted wooden signs supplemented the mass-produced and standardized signage in common usage today. The bold arrows for the fire extinguishers and light switches add personality that is part of the charm of historic places. The resulting “building inside a building” includes state-of-the-art systems to support the functions while still respecting and perpetuating the history of the past century. One of the Navy sailors working in the building told our staff that it is the finest facility he has worked in during his career. The adaptive reuse and rehabilitation project at Building 434 will receive a Preservation Award at the 42nd [...]